90 мин.
Режиссер: Пим де ла Парра
Сценарий: Мартин Скорсезе, Вим Верстаппен, Пим де ла Парра
Операторская работа: Франс Бромет, Хубертус Хаген
В ролях: Александра Стюарт, Дитер Гайслер, Том ван Бек, Марике Бунстра, Дональд Джонс
Премьера — 15 августа 1969 г. (Западная Германия)
Избранная библиография
Книги
Biskind, Peter. Easy Riders, Raging Bulls. New York: Simon & Schuster, 1998.
Brunette, Peter, ed. Martin Scorsese: Interviews. Jackson: University Press of Mississippi, 1999.
Christie, Ian., and David Thompson, eds. Scorsese on Scorsese. London: Faber & Faber, 2003.
Dougan, Andy. Martin Scorsese Close-Up: The Making of His Movies. London: Orion, 1997.
Ebert, Roger. Scorsese by Ebert. Chicago: University of Chicago Press, 2008.
Ehrenstein, David. The Scorsese Picture: The Art and Life of Martin Scorsese. New York: Birch Lane, 1992.
Farber, Manny. Farber on Film. New York: Library of America, 2009.
Friedman, Lawrence S. The Cinema of Martin Scorsese. Oxford: Roundhouse, 1997.
Kael, Pauline. When the Lights Go Down: Complete Reviews 1975–1980. New York: Henry Holt & Co., 1980.
Kael, Pauline. Movie Love: Complete Reviews 1988–1991. New York: Plume, 1991.
Kagan, Jeremy, ed. Directors Close Up 2: Interviews with Directors Nominated for Best Film by the Directors Guild of America 2006–2012. New York: Rowman & Littlefield, 2013.
Kelly, Mary Pat. Martin Scorsese: A Journey. Rev. ed. New York: Thunder’s Mouth Press, 1996.
Lane, Anthony. Nobody’s Perfect. New York: Pan Macmillan, 2003.
Said, Edward. On Late Style. New York: Vintage, 2007.
Sangster, Jim. Scorsese. London: Virgin, 2002.
Schickel, Richard. Conversations with Scorsese. New York: Alfred A. Knopf, 2011.
Stern, Lesley. The Scorsese Connection. Bloomington: Indiana University Press, 1995.
Thomson, David, ed. The New Biographical Dictionary of Film. Rev. ed. New York: Little, Brown, 2003.
Thomson, David. «Have You Seen?»: A Personal Introduction to 1,000 Films. New York: Alfred Knopf, 2008.
Wilson, Michael Henry. Scorsese on Scorsese. Rev. ed. Paris: Cahiers du Cinéma, 2011.
Woods, Paul A., ed. Scorsese: A Journey Through the American Psyche. London: Plexus, 2005.
Статьи и интервью
Bennett, Tara. «Martin Scorsese, Leonardo DiCaprio, Ben Kingsley, and the Shutter Island Writers Descend into Darkness». www.fandango.com, February 17, 2010.
Billen, Andrew. «I Get the Church and the Movies Confused». London Evening Standard, March 25, 1998.
Biskind, Peter. «The Resurrection». Independent on Sunday, December 22, 1991.
Brown, Mick. «Martin Scorsese Interview for Shutter Island». Telegraph, March 7, 2010.
Calhoun, Dave. «Martin Scorsese Talks Shutter Island». Time Out, March 2010.
Christie, Ian. «Martin Scorsese’s Testament». Sight & Sound, January 1996.
Daly, Steve. «Casino’s Big Gamble». Entertainment Weekly, October 6, 1995.
Dougary, Ginny. «Original Sinner». Times Magazine, February 2, 1996.
Flatley, Guy. «Martin Scorsese’s Gamble». New York Times, February 8, 1976.
Fleming, Mike. «Martin Scorsese on Wolf of Wall Street». Deadline Hollywood, January 6, 2014.
Foundas, Scott. «Andrew Garfield to Star in Martin Scorsese’s Silence». Variety, May 7, 2013.
Galloway, Stephen. «Martin Scorsese, Leonardo DiCaprio Finally Open up About Wolf of Wall Street». Hollywood Reporter, December 4, 2013.
Gilbey, Ryan. «Blood, Sweat and Tears». Guardian, July 31, 2007.
Goldstein, Patrick. «Graham King on Hugo’s Box-Office Woes: ‘It’s Been Painful’». Los Angeles Times, February 6, 2012.
GQ staff. «Getting Made the Scorsese Way». GQ, October 2010.
Hardie, Giles. «Cinema Lovers Cinema». Sydney Morning Herald, June 24, 2012.
Hill, Logan. «Martin Scorsese, Leonardo DiCaprio, and Jonah Hill Discuss The Wolf of Wall Street». Wall Street Journal, October 13, 2013.
Hirschberg, Lynn. «Michael Ovitz Is on the Line». New York Times, May 9, 2009.
Hiscock, John. «Scorsese: This Is My Last Big Movie». Telegraph, December 10, 2004.
Hiscock, John. «The Day Mad Jack Drew a Gun on Set». Telegraph, September 22, 2006.
Hoberman, J. «Metaphysical Therapy». Village Voice, November 2, 1999.
Hodenfield, Chris. «A Personal Journey with Martin Scorsese through American Movies». American Film, March 1989.
Jagernauth, Kevin. «Martin Scorsese Says Sinatra Is ‘Still Going Strong,’ Explains Why He Thinks Italianamerican Is His Best Film». blogs.indiewire.com, December 4, 2013.
Kermode, Mark. «Martin Scorsese: ‘3D Is Liberating. Every Shot Is Rethinking Cinema.’» Observer, November 21, 2010.
Kiang, Jessica. «Marrakech Q&A…» blogs.indiewire.com, December 9, 2013.
Lane, Anthony. «Not Fade Away: Shine a Light». New Yorker, April 14, 2008.
Leach, Jim. «The Art of Martin Scorsese». Humanities, July/August 2013.
Levy, Emanuel. «Shutter Island: Interview with Director Scorsese». Emanuel Levy Cinema 24/7 (www.emanuellevy.com), January 29, 2010.
Luck, Richard. «You Talkin’ to Me? Scorsese, De Niro, Keitel, and Foster on the Making of Taxi Driver». Sabotage Times, October 19, 2013.
Lyman, Rick. «In Little Italy with Martin Scorsese». New York Times, February 13, 1998.
Macnab, Geoffrey. «I Was in a Bad Place». Guardian, July 6, 2006.
McAfee, Annalena. «No More Mr Nasty Guy». Financial Times Weekend, March 7–8, 1998.
McLean, Craig. «And We’re Rolling». Observer, August 12, 2007.
Moline, Karen. «The Good Fella from New York’s Mean Streets». Sunday Times, September 30, 1990.
Moyes, Jojo. «I’ve Been Lucky Not to Win an Oscar, Says Scorsese». Independent, June 28, 1997.
Murray, Rebecca. «Director Martin Scorsese Discusses The Departed». movies.about.com, September 30, 2006.
Nepales, Ruben V. «How Scorsese Avoided NC-17 Rating for Wolf of Wall Street». Philippine Daily Inquirer, December 14, 2013.
Palmer, Martin. «Back on the Streets». Times Metro, January 15–21, 2000.
Pond, Steve. «Martin Scorsese on Wolf of Wall Street: I Wanted It Big and Ferocious». The Wrap, December 23, 2013.
Pressburger, Angela. «The Making of Kundun 1». Shambhala Sun, January 1998.
Rafferty, Terence. «Talking Pictures». DGA Quarterly, Winter 2007/2008.
Rafferty, Terence. «Cue the Director’s Adrenaline». New York Times, February 5, 2010.
Rapkin, Mickey. «A Conversation with Martin Scorsese». Details, April 6, 2012.
Salamon, Julie. «A Character with Phobias? Scorsese Can Relate». New York Times, December 16, 2004.
Schickel, Richard. «Brutal Attraction: The Making of Raging Bull». Vanity Fair, March 2010.
Schilling, Mary Kaye. «Leonardo DiCaprio and Martin Scorsese Explore the Funny Side of Depravity in The Wolf of Wall Street». www.vulture.com, August 26, 2013.
Scorsese, Martin. «The Persisting Vision: Reading the Language of Cinema». New York Review of Books, August 15, 2013.
Scorsese, Martin. «A Letter to My Daughter». L’Espresso, January 2, 2014.
Shelley, Jim. «Down these Mean Streets Many Men Have Gone». Times Saturday Review, February 20, 1993.
Smith, Gavin. «Martin Scorsese Interviewed». Film Comment, January/February 1998.
Taubin, Amy. «Dread and Desire». Sight & Sound, December 1993.
Tetzelli, Rick. «Martin Scorsese on Vision in Hollywood». Fast Company Magazine, December 2011.
Theroux, Paul. «The Sixth Beatle?» Newsweek, October 3, 2011.
Updike, John. «Late Works». New Yorker, August 7, 2006.
Williams, Alex. «Passion Play». New York, December 16, 2002.
Williams, Alex. «‘Are We Ever Going to Make This Picture?’» Guardian, January 3, 2003.
Wise, Damon. «Martin Scorsese Exclusive Uncut Interview!» Uncut, April 2008.
Wolcott, James. «The Executioners». Vanity Fair, April 2002.
«Martin Scorsese Interviewed». http://www.industrycentral.net/director_interviews/MS01.HTM
«Martin Scorsese on Shutter Island». http://www.film4.com/special-features/interviews/martin-scorsese-on-shutter-island
«Scorsese and DiCaprio on Exploring Shutter Island». http://www.fearnet.com/news/interview/scorsese-and-dicaprio-exploring-‘shutter-island
«Scorsese: Gangster Style». http://www.creativeplanetnetwork.com/dcp/news/exclusive-scorsese-gangster-style/15592
Права на фотографии
Были приложены все усилия, чтобы отыскать правообладателей и признать их права. Мы заранее приносим извинения за любые непреднамеренные упущения и будем рады, если потребуется, добавить соответствующие подтверждения во всех будущих изданиях книги.
Условные обозначения: T — вверху; B — внизу; L — слева; R — справа
Мы хотели бы выразить особую благодарность Марианне Бауэр, архивариусу Sikelia Productions, за ее помощь в поиске фотографий из архива г-на Скорсезе
Corbis: 1 (Lynn Goldsmith); 2 (Fabrice Dall’Anese/Tuxedo by Giorgio Armani/Corbis Outline); 6–7 (Columbia/Bureau L. A. Collection); 8 (Catherine Cabrol/Kipa); 14–15 (Didier Olivré); 17 (Ken Schles/Corbis Outline); 71, 74, 75, 82 L, 82–83, 84–85 (Columbia/Steve Schapiro); 88 R (Bettmann); 91, 107 (United Artists/Sunset Boulevard); 110 R (20th Century Fox/Steve Schapiro); 133 (Universal/Sunset Boulevard); 191 (Michael O’Neill/Corbis Outline); 255 (SWAP/Splash News);
Martin Scorsese Collection: 20 L & R, 21, 22, 23 T & B, 24, 25, 27, 28, 29, 30 T & B (early photography); 10 (Columbia); 11, 13 (United Artists); 36–37, 37 R (Tri-Mod); 65 (Warner Bros.); 129 (Buena Vista); 238 T (Paramount); 267 (National Communications Foundation);
M. H. Wilson collection: 90 (United Artists); 78 T (Columbia);
Photofest: 12, 102, 106, 269 T (United Artists); 38, 52, 55, 58 T & B, 59, 60, 61, 67, 121, 266 R (Warner Bros.); 42 L (American International Pictures); 72 R, 73 R, 81 R, 162, 165 T (Columbia); 124 L, 124–125 (Buena Vista); 132 L, 174 L (Universal); 205 B (Miramax/Dimension Films/Mario Tursi); 236, 239 (Paramount); 268 (New Empire Films);
Alamy: 16, 204, 200–201 (Miramax/ AF Archive); 42 R (American International Pictures/United Archives/IFTN Cinema Collection); 49 L, 216 (Warner Bros./AF Archive); 50, 218–219 (Warner Bros./United Archives GmbH); 72 L (Columbia/AF Archive); 113 T (20th Century Fox/AF Archive); 123, 127 (Buena Vista/AF Archive); 136 (Universal/Pictorial Press); 138, 174 R (Universal/Moviestore Collection); 141 (Warner Bros./Pictorial Press); 157, 159 (Universal/AF Archive); 183 L (Buena Vista/Pictorial Press); 190 R (Touchstone/Paramount/Phillip V. Caruso/United Archives GmbH/IFTN Cinema Collection); 217 (Warner Bros./Moviestore Collection); 225 B (Warner Bros./Andrew Cooper/AF Archive);
© Ferdinando Scianna/Magnum Photos: 18–19;
Getty Images: 31 (Elliot Landy); 46–47, 48 (Jack Manning/ New York Times Co.); 100–101 (United Artists/Brian Hamill); 114–115 (Olivia Morris); 120 B (Ron Galella); 186 B (Matt Campbell/Hulton Archive); 256 T (Bobby Bank/Wire Image); 269 B (AFP); 276–277 (Jeff Vespa/Wire Image); 278 (Kevin Winter);
Photo12.com: 34–35, 36, 39 (Tri-Mod/Archives du 7e Art); 64 L, 116 L, 145 T, 213, 215 B (Warner Bros./Archives du 7e Art); 98 R (United Artists/Collection Cinéma); 110 L (20th Century Fox/Archives du 7e Art); 113 B (20th Century Fox/Collection Cinéma); 137 (Universal/Archives du 7e Art); 175 (Universal/Collection Cinéma); 225 T (Warner Bros./Andrew Cooper/Archives du 7e Art); 234 (Paramount/Archives du 7e Art); 242–243, 244 R, 245, 246, 246 T & B, 247, 248, 249, 250, 251 (GK Films/Archives du 7e Art);
Ronald Grant: 40–41, 45 T (American International Pictures); 63, 211 (Warner Bros.); 116 R (Geffen Company); 132 R, 173 T; 155, 158 L (Amblin Entertainment/Cappa Films/Tribeca Productions/Universal); 186 T (Touchstone/Capra/De Fina/Mario Tursi); 266 L (Wadleigh-Maurice);
Rex Features: 43 R (Universal/Everett); 64 R, 143, 144, 148, 210–211, 212 (Warner Bros./Everett); 73 L (Columbia/Everett); 88 L (United Artists/Everett); 190 L (Paramount/Everett); 205 T (Miramax/Dimension Films/Everett);
mptvimages.com: 43 L & 44–45 (American International Pictures); 76–77, 79 (Columbia/ Steve Schapiro); 86–87, 96–97, 99, 105 (United Artists); 92–93, 95 (United Artists/Photo by Bruce McBroom); 170–171, 173 B, 176 (Universal);
The Kobal Collection: 45 B (American International Pictures); 49 R, 51, 53, 56–57 (Taplin-Perry-Scorsese); 69 B, 117, 118, 119, 120 T, 142, 146, 149, 151, 208–209, 214, 215 T, 219 (Warner Bros.); 80 L, 80–81 (Columbia); 92 L, 98 L, 104 (United Artists); 112 (20th Century Fox); 126 (Touchstone); 154 L, 156, 170 T, 177 B (Universal); 162–163, 165 B (Columbia/Phillip V. Caruso); 180, 182 (Touchstone/Capra/De Fina); 195 (Touchstone/Paramount/Phillip V. Caruso); 198 (Miramax/Dimension Films); 220–221, 222 L, 222 R, 226 L, 226–227, 229 (Warner Bros./Andrew Cooper); 232–233, 235, 237, 238 B (Paramount); 240–241, 244 L (GK Films); 252–253, 254, 256 B, 256–257, 258–259, 261 T & B, 262 T & B, 263 (Red Granite Pictures); 265, 272 (Concert Promotions International/Brigitte Lacombe);
British Film Institute Stills, Posters and Designs, London: 54, 66, 68 (Warner Bros.); 111 (20th Century Fox); 125 (Buena Vista); 134 B, 170 B (Universal); 192 B, 194 (Touchstone/Paramount/Phillip V. Caruso);
akg-images: 69 T (Warner Bros./Mondadori Portfolio); 223 (Warner Bros./Album);
Photoshot: 78 B (Columbia/LFI); 94 (United Artists); 128 (Buena Vista); 135, 154–155, 168–169 (Universal/LFI); 147 (Warner Bros./CBS); 183 R (Touchstone/Capra/De Fina/Mario Tursi); 188–189, 193 (Touchstone/Paramount); 273 (HBO/Retna);
Globe Photos, Inc.: 89;
S. Karin Epstein: 109 (20th Century Fox);
© Mario Tursi Photo: 131, 134 T, 138–139 (Universal); 178–179, 181, 184–185, 187 (Touchstone/Capra/De Fina); 196–197, 199, 202–203, 206, 207 (Miramax/Dimension Films);
© David Leonard: 145 B (Warner Bros.);
Mary Evans Picture Library: 150 (Warner Bros./Rue des Archives/RDA);
Phillip V. Caruso: 152, 158 R, 177 T (Universal); 160–161, 163 R, 164, 166, 167 (Columbia); 192 T (Touchstone/Paramount);
Warner Bros/Andrew Cooper: 228, 230 L, 230–231, 231 R;
© Barry Feinstein Photography, Inc.: 270–271;
Michael Grecco/michaelgrecco.com: 275;
© Patrick Swirc/modds: 288.
We would like to give special thanks to Marianne Bower, archivist at Sikelia Productions, for her help in sourcing images from Mr. Scorsese’s archive.
Благодарности
Больше всего и в первую очередь автор хотел бы поблагодарить самого Мартина Скорсезе, который на протяжении многих лет был очень добр ко мне и чьи сотрудники оказали мне очень большую помощь при сборе материалов для этой книги. Я также нахожусь в большом долгу перед Ричардом Шикелем, который за много лет написал много замечательных работ о режиссере, включая книгу «Беседы со Скорсезе». Именно к нему я обратился за советом, когда начал собирать материалы для данной книги. Среди других полезных работ хочется назвать «Скорсезе о Скорсезе» Майкла Генри Уилсона, «Беспечные ездоки, бешеные быки» Питера Бискинда, «Скорсезе о Скорсезе» под ред. Йэна Кристи и Дэвид Томпсона, а также «Интервью с Мартином Скорсезе» под ред. Питера Брюнетта. Наконец, я хотел бы поблагодарить свою жену Кейт, без которой в моей жизни осталось бы очень мало ценного.
Том Шон
Издательство «Palazzo Editions» благодарит Хлоэ Пью Лэттэ за составление фильмографии и Мэтью Кониама за подобранные цитаты
На следующей странице: Фотопортрет Скорсезе работы Патрика Свирка (2005)
«Давайте посмотрим правде в глаза: кино, классического кино, уже нет. Оно кончилось. Кино, каким мы его знаем, исчезает на наших глазах».
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